Rebab
The rebab (Arabic الرباب or رباب - "a bowed (instrument)") [1], also rebap, rabab, rebeb, rababah, or al-rababa) is a type of string instrument so named no later than the 8th century and spread via Islamic trading routes over much of North Africa, the Middle East, parts of Europe, and the Far East. The bowed variety often has a spike at the bottom to rest on the ground, and is thus called a spike fiddle in certain areas, but there exist plucked versions like the kabuli rebab (sometimes referred to as the robab or rubab)
The rebab usually consists of a small, usually rounded body, the front of which is covered in a membrane such as parchment or sheepskin and has a long neck attached. There is a long thin neck with a pegbox at the end and there are one, two or three strings. There is no fingerboard. The instrument is held upright, either resting on the lap or on the floor. The bow is usually more curved than that of the violin.
The rebab, though valued for its voice-like tone, has a very limited range (little over an octave), and was gradually replaced throughout much of the Arab world by the violin and kemenche. It is related to the Iraqi instrument the Joza, which has four strings.
The introduction of the rebab into Western Europe has possibly coincided with the conquest of Spain by the Moors, in the Iberian Peninsula. There is however evidence of the existence of bowed instruments in the 9th century also in Eastern Europe: the Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or lūrā) as typical bowed instrument of the Byzantines and equivalent to the Arab rabāb[2].
The rebab usually consists of a small, usually rounded body, the front of which is covered in a membrane such as parchment or sheepskin and has a long neck attached. There is a long thin neck with a pegbox at the end and there are one, two or three strings. There is no fingerboard. The instrument is held upright, either resting on the lap or on the floor. The bow is usually more curved than that of the violin.
The rebab, though valued for its voice-like tone, has a very limited range (little over an octave), and was gradually replaced throughout much of the Arab world by the violin and kemenche. It is related to the Iraqi instrument the Joza, which has four strings.
The introduction of the rebab into Western Europe has possibly coincided with the conquest of Spain by the Moors, in the Iberian Peninsula. There is however evidence of the existence of bowed instruments in the 9th century also in Eastern Europe: the Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or lūrā) as typical bowed instrument of the Byzantines and equivalent to the Arab rabāb[2].
Essential Question
Why does this instrument sound the way it does?
Vocab: strings, vibrations, materials, wood
Why does this instrument sound the way it does?
Vocab: strings, vibrations, materials, wood
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